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It’s also a good idea to think about the role 808s typically fill in your sub-genre. In trap music, they function as the bass line following the kick. In some other sub-genres, like reggaeton, they might just be used for one hit to create a massive downbeat at the start of the cycle.
You’re probably well aware of SoundCloud by now, but its widget feature is worth mentioning. Because SoundCloud is completely free and typically reliable, it’s the perfect place to host music over your site. Yes, you’ll lose some royalty money by not linking up to your Spotify or Apple Music account, but going with SoundCloud is the best option because it doesn’t force those visiting your site to sign up with yet another service. Plus, it’s essentially social media for track releases.
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One of my projects for this summer is to realize my decades-old ambition to learn how to scratch. I borrowed a Korg Kaoss DJ controller from a friend, downloaded Serato, and have been fumbling with it for a week now. The Kaoss DJ leaves much to be desired. The built-in Kaoss Pad is cool, but otherwise it’s too small and finicky. I will definitely want to upgrade to something with big, chunky buttons and more haptic feedback in general. Still, the Kaoss DJ is enough to get started with.
In fact, when used correctly, it brings a desired effect to the music that the rhythmic pulse is deviating between duple and triple meter, moving forwards and backwards at the same time, syncopating to activate your dance muscles.
Mengyuan Xu is an electronic music artist from China who really leans into the musical aesthetic of traditional Chinese musical instrumentation. His heavy use of zithers and flutes gives his music a unique feel. I think it’s a really wonderful mix of old and new sounds to create something catchy and unique. A recent song of his, “Flame,” is more firmly rooted in the contemporary EDM pop sound, however it still has that Chinese opera influenced flavor that is undeniable.
The aim of this structure is to provide flexibility and depth to help you make big leaps forward in your music or career. Because there’s no pre-established content like there is in our courses, we’ve found this program works best for musicians who fall a bit outside the lines. If you’ve got a specific musical project or goal in mind, if you don’t really want a bunch of tutorials, and especially if you’re in need of a sounding board for professional feedback, this program is definitely for you.
I like this YouTube one a lot, because there have been a few times I’d throw on a Spotify playlist for pup, only to get in my car, turn on Spotify, and realize if I played my music through my headphones or car speaker, that it would stop it from playing inside the house.
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“If you want the piece to be a lament over someone’s death, then you will really tear into that… It doesn’t matter that it wasn’t really true then and it doesn’t matter if the code theory is dumb.”
As with many musicians, coffee is a necessity to do what we do, most often nocturnally. I’ve lost count of both the number of late-night performances and studio sessions I’ve done over the years and iced coffees (my saving grace) that have helped me make it through long nights.
Chorus impact accentuators, often abbreviated to “CIAs,” is a term that’s still fairly new in this category — whether people know about it at all yet — but it keeps popping up more and more nowadays. Simply put, chorus impact accentuators are any element in a production that makes the chorus more impactful and powerful. That can be a reversed crash cymbal sample that flares up and preps our ears for a drop, or even a half a measure of complete silence leading up to the chorus, making its arrival all the more epic.
In this climate of increasing lawsuits, protecting your intellectual musical property is becoming an essential tool in the songwriter’s toolkit. Learn more.
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