Chamber music ensembles

Before we move deeper into our analysis of this track, take another good look at the image above. Those are all the diatonic triads built on top of the scale tones of E♭ major. If this is new to you, I strongly suggest playing these chords on your chosen instrument. See if you can hear the relationship between each chord.

Looks like a pretty even tempo spread this year with 77-78 BPM eeking out a win. From 71-72 BPM there is still a gap in the chain, similar to last year, and from 113-118 BPM is still a very curious drought-land, at least when compared to all the tempos found in Rolling Stone’s Greatest 500 Songs of All Time list.

Me too. Those “magical things” that come from our being open to and joyful about our mistakes — those are the moments that make music like Tredici Bacci’s feel like such a gift. Both intricate and broad, both ridiculous and honest, both precise and full of human breadth and skew, La Fine Del Futuro is a triumph of Hanes’ philosophy about taking the art of laughing (at himself, and with others) to be the very serious business that it is.

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And don’t these eight-bar intros and outros feel pretty long for a two-and-a-half minute song? There also seems to be a massive trend toward the extinction of song buttons — buttons are where you end the song on just one note, almost always the tonic, right after the last chord progression. If you want to know why that’s disappearing, I’ll give you a hint: it starts with “L” and ends with “oop-based-music-production.”

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We often forget that we can get much of our hydration from food as well, specifically plants that add a source of nutrients to our body too! Raw, uncooked foods like salads, fresh fruits, and veggies will increase your water content and keep you hydrated. Keep things like cucumbers, iceberg lettuce, cauliflower, broccoli, strawberries, and grapes in the rotation so you can “eat your water.”

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[AC]: “That’s fundamentally the trouble of trying to apply specific scientific experiments to songs. The whole idea of scientific experiments is to try to control as many things as possible, and sometimes that ends up happening by stripping away some of the things that happen in real life: like lyrics, like meter, and so on. And now you have this song, which has all these extra things that are not part of music cognition experiments — anything you say that the scientific experiments might predict are confounded by the fact that in real life, there are all these other things that weren’t part of the experiment.”

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“[Bariolage] is a common technique to build tension near the end of a long violin piece and there are numerous possible inspirations for this particular passage in earlier chaconnes. In the Bach Chaconne, however, given that right mood and right performer, it matters not at all if one knows what a bariolage is or where it came from. What matters is that it sounds like a kind of outcry — not the sad little two-note sighs we have been taught to listen for in Mozart or Chopin, but long, hoarse-throated, mascara-streaked, Jessye Norman — collapsing-in-a-heap groans. Once you’ve felt this passage that way once, it is hard not to feel it that way every time you hear the Chaconne, and even to demand it, judging performers on the Daniel Day-Lewis scale of how many forehead veins they sound like they’re about to pop.”

If you think through what music your listener was likely exposed to as a child, you can easily figure out how to write to job their nostalgia response. But it’s important to remember that “nostalgia” can also be associated equally with sentiments of sadness and loneliness as it can joy and comfort. As a composer, this is where it becomes important to play with instrumentation, timbre, and tempo, in order to get the right balance.

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There are many different approaches to creating a memorable music video concept. The sky is truly the limit when it comes to thinking up of creative ways to carry forward your band’s musical message, visually (and you don’t need a big budget, either).

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