Ethan Hein is a Doctoral Fellow in Music Education at New York University. He teaches music technology, production and education at NYU and Montclair State University. With the NYU Music Experience Design Lab, Ethan has taken a leadership role in the creation of new technologies for learning and expression, most notably the Groove Pizza. He is the instructor of the free Soundfly course series called Theory for Producers. He maintains a widely-followed and influential blog, and has written for various publications, including Slate, Quartz, and NewMusicBox.
With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.
In my 2008 piece for Greek Byzantine choir and strings, Nativity Kontakion, I discovered a beautiful harmonic structure based around the Byzantine whole step you get when you divide the octave into fourteen 72nds — a bit wider than the whole step on the piano, which is twelve 72nds of an octave wide. Invert that wide “14/72” whole step, and you get a minor seventh narrower than the usual one. It so happens that this narrower minor seventh is almost equivalent to the seventh partial — one of those pure, God-made mathematical ratios that fell out of favor when equal temperament took over.
Government grants for individuals
Possibly even more iconic than this moment was the SNL skit that parodied this, done by Shia Labeouf, Andy Samberg, Bill Hader, Fred Armisen, Jason Sudeikis, and Kristen Wiig. I won’t ruin it for you. Just watch it for yourself.
Setting time limits for tasks is very important in order to finish everything that you set out to do in a given day. Whether you’re working for a client or on your own music, it’s good to be aware of how much time you spend completing tasks, and to hold yourself accountable to do them in a timely fashion.
In case you haven’t seen this, or tried it yet, Classic FM (the website version) has created one of the most entertaining and informative tiny “time-waster” games on the internet that we’ve found so far. It’s called “Are These Words Composers or Types of Pasta” and it’s 15 questions of mouth-watering musical joy where you have to try to guess which is which. I’ve played this game thrice and somehow never gotten a perfect score.
Probably the most important thing is finding a realtor that caters to the industry. Brand new, wet-behind-the-ears realtors — or even seasoned ones who have never worked with 1099s — are going to have a difficult time wrapping their heads around your situation.
“Happier”: Wait, no… what are you… no! Not the dog, come on, man, not the dog, what are you doing to me, Marshmello? Okay, so here’s a form I’m not adequately equipped to categorize or compare to anything else: what’s stumping me is what to do with the three-bar space in between the pre-chorus and the solid chorus/refrain that’s introduced at the beginning. For now, I’m lumping it in with the chorus as part of a chorus variation. But you could also think of it as an extended part of the pre-chorus, especially as its lyric is taken from it. Or, I guess we could even call it an “interlude.” It’s slippery. I have to highlight the half-bridge that ends the song — you almost never see half-bridges.
Music for relief
With his final piece, I think Stefano achieved a really amazing vibrancy and power. The way it climbs the register increases the tension and emotional pull. The monophonic transitions create urgency and more power. And the different treatments of the different sections create a lot of interest and variation. Overall, he created a beautiful piece!” — Ian (Soundfly Mentor)
After this case, Fogerty filed a countersuit against Zaentz to cover his attorneys’ fees. This case went to the Supreme Court in Fogerty v. Fantasy, Inc. (1993), which ruled that Fogerty would receive recompense without even having to prove that the original case was trivial.
Say what you will about the life of blogs, but even today with all the power that streaming services like Spotify yield for discovering new music, you can’t take away the power of a well-written review or feature, and the influence that individual writers have over whether or not we decide to listen to a new track.
The Samson Go Mic features a compact design with a custom mount designed to clip directly to your laptop. Choose between cardioid and omnidirectional pickup patterns for solo recording or interviews. Perfect for recording on-the-go, just connect Samson Go to your Mac or PC via USB and press record!
This is a huge component of the RE-201’s unique sound. This was probably the biggest innovation that the Space Echo brought to the table, however its longer tape loop was also revolutionary.